Description

Curatorial Narrative In 1923, Albert Daenens’ “Possession” exemplifies the nascent Art Deco movement’s fascination with abstract forms and linear brushwork. The artist’s technique is characterized by deliberate strokes that imbue the composition with a sense of geometric precision, underscoring the era’s emphasis on modernist ideals. By working in black and white, Daenens creates a visual dialectic between the luminosity of the paper and the darkness of the ink, generating an atmospheric weight that oscillates between flatness and depth. When enlarged to its monumental scale of 44×66, “Possession” assumes a commanding presence that demands attention. The black and white palette acquires a sculptural quality, as if the very darkness has become a tactile material. The spatial rhythm of the composition, initially defined by subtle gradations in value and texture, now exerts a more pronounced influence on the surrounding environment.